Breaking the fourth wall, the film communicates directly with the audience, framing a dialogue that wants to tell itself...

To find the author of a screenplay ready to become a movie, an ambiguous Producer listens to the vision of the applicant Director, who describing every shot carries the whole interview in a metacinematic dimesion. Their dialogue proves to be parallel to the script's one, leading to the revelation of a deception: the interview is not what it seems, and the Producer appears to want to own the ideas of the man in front of him. The Director, however, is not surprised, having already arranged an adequate "revenge".
Film grammar is the true protagonist, but it is the Director's words that give it its own identity.

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